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Naples is a city of extremes.
It's Fire games of napoli fourth wealthiest and a place of supreme architectural, artistic and culinary importance.
sorry, fire starter game the beyond the beautiful cathedrals and world-famous pizzerias are neighbourhoods beset by high levels of unemployment, poverty and poor education.
One of these areas is Quartieri Spagnoli — Spanish Quarters.
Here, just click for source celebrate Saint Antonio Day — Cippo — on the 17th of January much like everyone else in southern Italy and Sardinia have for decades, by lighting bonfires after nightfall.
Only, in Naples, the tradition has evolved: every year, kids from various inner-city neighbourhoods spend months stealing and stashing trees so they can build the largest fire possible, a sign of their patch's superiority.
This new tradition has proved controversial, with some locals suggesting the process encourages criminality among local kids — a first step towards joining one of Naples' fire games of napoli "baby gangs".
I spoke to Victoria about the making of the film, her relationship with fire games of napoli boys and the importance of education reform in improving their lives.
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I came to London and had access to an education my family back home did not.
The girls are at home, cooking, happy to get married, in their very traditional roles.
A lot of the guys didn't go on to study anything and they're sort of doing what they can to survive.
So I started thinking about what the difference was, then I started being very interested in adolescence and where the shift could have been.
That led to speaking to social workers and groups to understand a bit more, and through that I met Eleonora dell'Aquila, who introduced me to the kids.
I can imagine they would be a pretty hard group to crack — presumably it was because the boys trusted Eleonora that they knew they could trust you too?
Eleonora and her fire engine games free download, Massimiliano, are doing incredible work out there.
She really does help them.
How she is separates her from a lot of other social workers, who are a lot more Catholic or ideology-driven, and then there are people like her, who are normal and cool, who support the bonfire.
Why are the police so against the bonfire?
Let me paint the picture: Spanish Quarters is a really poor area; on the outskirts are armed tanks, soldiers.
They stay on the outskirts, but they know everything that's going on inside.
No — they keep them, and so kids will be enticed to steal them, and then it becomes a game of stealing, when they could be working together.
Eleonora says in the film how the boys were exercising strategy when planning the bonfire.
Do you think they could apply those skills to more practical things?
They teach themselves so much: the responsibility of guarding the trees through the whole night for two months from December to January, the way they come together and the leaders come through.
There are so many skills — it's so disappointing for me to see that trying to be stopped in a country whose educational system is dated.
There are more apprenticeships now, but more needs to be done.
So many of the kids are fire games of napoli bright.
They're street savvy, streetwise.
They know how to make things, to do things, but they don't have the opportunity to do that in school.
There needs to be education reform.
They're right next to each other but worlds apart.
She says, when he gets out of prison, the responsibility is with him to turn his life around — but do you think the state also needs to do more there?
I was friends with Luca before he went to prison.
He'd been in youth detention quite a lot, but when he came out the last time he wanted to change and start a new life.
He was really working.
Eleonora and Massimiliano were doing T-shirt workshops with refugees from all over Africa — thousands had come to Naples — and Luca was getting involved with that.
He was such a cool kid and it was going really well, and then, from one night to the next, he decided to go and do an armed robbery.
From one day to the next, you do something terrible, then boom: you're in jail for the next four years.
So fire games of napoli these things you literally don't know what will happen.
That seems to be the case for a lot of residents of Spanish Quarters.
There appears to be such a huge socio-economic divide in the city, with them on the losing side.
The one thing I really love about the Quarters is that they're really giving.
When we were interviewing Eleonora on the stairs, a lady on the fifth floor passed down a basket with a big bottle of water and some snacks, and said: "It looks like you're working, so you'll need this.
There is, though, a huge socio-economic divide.
Naples is actually one of the richest cities in Italy — it has a huge port that brings in lots of money.
The richest part of the city is on the hill, not for from Spanish Quarters.
They're right next to each other but worlds apart.
The last scene of the film is quite beautiful — the stillness, the silence and how the boys are so entranced by the bonfire.
It's fire games of napoli they're disposing of all their troubles in its flames.
These kids, who'd screamed and were excitable for the whole film, to find them silent like that was mesmerising.
It was honestly magical being there.
They were quite boisterous before the lighting of the fire — and, by the way, we didn't capture the lighting of the bonfire because the police arrested the camera guy.
They confiscated the camera and told us to stop filming.
But it was the stillest moment I've seen with the kids.
It's so interesting what children pick up from those around them.
But it was very indulgent, that ending.
Lastly, what's that stuff smeared on the kids' faces in the last scene?
It's called sanguinaccio, a mixture of pig blood and chocolate that kids traditionally paint their faces with when making the fire.
It's a gift from residents who support the fire; adults either give them the sanguinaccio or money to go and buy it.
It's quite a typical dessert that's eaten around this time, after New Year's.
This interview had been edited for length.
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